Press Reviews
Helen Dunmore
A mesmerising novel which reveals more on each reading
Jim Crace
GuardianFrom the opening sentence - "Last night I dreamed I went to Manderley again" - to the final - "And the ashes blew towards us with the salt wind from the sea" - I was hooked ... Rebecca is one of the underrated classics of the 20th century ... Rebecca is a masterpiece in which du Maurier pulls off several spectacular high-wire acts that many great writers wouldn't attempt
Kate Saunders
The TimesHer masterpiece . . . Seldom has a dead woman exercised such power beyond the grave. Rebecca will live for ever because du Maurier touches a fearful nerve, buried deep in the unconscious
Erin Kelly
It is the greatest psychological thriller of all time. I see du Maurier as a forerunner to Patricia Highsmith, Ruth Rendell, Gillian Flynn: she is the giant whose magnificent shoulders the rest of us stand upon
Olivia Laing
GuardianWhat she did was build emotional landscapes that can be entered at will, in which difficult and untamable desires were given free rein. Maybe because of her relationship with gender, she was able to make worlds in which people and even houses are mysterious and mutable, not as they seem; haunted rooms in which disembodied spirits sometimes dance at absolute liberty
Clare Mackintosh
I read this book more than twenty years ago, and must have read it a dozen times since. The characters are incredibly vivid, and the twists superb. It's the book every writer wishes they'd written
- Good Housekeeping
This 1930s gothic thriller is suspenseful and so well crafted. Its young, nameless heroine marries rich widower Maxim de Winter and returns with him to his mansion, Manderley, only to find the ghost of his first wife, Rebecca, still lingers
Kit de Waal
Sainsbury's MagazineIt's the perfect winter book, brooding, dangerous and engrossing